Original title: The era needs a drama with temperature and depth

In recent years, domestic TV dramas seem to have entered a "small era", 10-mdash; About 30 episodes of short and medium-length TV series are very popular, and many long TV series also adopt series and unit dramas to meet the audience’s demand for "short, flat and fast" drama pursuit. Taking stock of last year’s TV dramas with good ratings and good reputation, except for The Awakeing Age’s long space, others such as Minning Town’s Meritorious Works and Big Rivers 2 are all within 40 episodes. On the eve of the Spring Festival this year, a 58-episode long TV series was broadcast simultaneously with iQiyi on CCTV 1, which gained great attention and has been ranked first in ratings and market share since its launch. This is the age drama "In the World" directed by Li Lu, written by Wang Hailing and Wang Daou, and starring,,, and.

The popularity of "In the World" shows that it is not that today’s audience doesn’t like watching long dramas and big dramas, but that there is a lack of excellent long dramas and big dramas at present. Just as novels and feature films are the main indicators to measure a country’s literary and film creation level, the quantity and quality of long TV dramas are also an important criterion to test whether a country’s TV dramas are developed. In 1958, China’s first TV series "A Bite of Cake" was born. It was a single drama with a duration of only 20 minutes, and no video materials were left. Therefore, the first TV series in China in the true sense was the 9-episode series "Eighteen Years of Enemy Camp" which came out in 1981. By 1985, four generations under one roof (28 episodes), the length of China’s TV series had increased significantly, while in 1990, Desire (50 episodes) created a precedent for China’s long TV series, and with an amazing audience rating of 90.78%, it created the spectacle of "People watch Desire in an empty lane and the whole country talks about Liu Huifang", which became a milestone in the history of China’s TV series development.

In the past 30 years, China’s TV production has grown rapidly and has become the largest TV production country in the world. Quality is often based on quantity. A number of excellent works have emerged in a large number of TV dramas, and those classic works that are well-known to women and children and are repeatedly watched by the audience are often long TV series, such as Romance of the Three Kingdoms (84 episodes, 1994), Water Margin (43 episodes, 1998) and Yongzheng Dynasty. 2001) Towards the Republic (59 episodes, 2003), Hanwu the Great (58 episodes, 2005), Qiao Family Courtyard (45 episodes, 2006), Ming Dynasty 1566 (46 episodes, 2007), Golden Wedding (50 episodes, 2007) and Breaking. 2015) Ordinary World (56 episodes, 2015), in the name of people (52 episodes, 2017), Bailuyuan (77 episodes, 2017), Dajiang River (47 episodes, 2018), The Awakeing Age (43 episodes, 2021), etc. (The above does not include long TV series. There is no unified standard for the division of short, medium-length and long-length TV dramas. According to the overall situation of TV dramas in China,Set 40 episodes as the lower limit of a long TV series. As can be seen from the above incomplete list, the long TV series represents the level of TV drama creation in China to a great extent.

In recent years, under the influence of many factors, "fast food culture" has become a fashion of mass cultural consumption. Reading famous books only in condensed versions, watching mobile phones only in short videos, and learning knowledge only in crash courses, many people gradually stay away from things with considerable length and depth that take time and cost and need to calm down and feel and comprehend. In this context, it is not surprising that the length of TV series is getting shorter and shorter. There is no denying that "short, flat and fast" does have its advantages, but if everyone rushes to pursue "short, flat and fast", there will be problems. Imagine if our classical novels only have "three words and two beats" without Four Great Classical Novels, and if today’s video works only have short videos and micro movies without big movies, what would it be like? Of course, we don’t have to reject the art of "short, flat and fast", but at the same time we also need the art of "long and slow". At the moment when short and medium-length TV dramas are popular, we call on TV drama workers to pay more attention to the creation of long TV dramas.

In the creation of long TV plays, the creation of chronological plays is particularly noteworthy. "Chronological drama" was not originally a kind of TV series, but it has been widely accepted in recent years, so this paper adopts this concept. Up to now, there is no clear definition of chronological drama. The author defines it as a TV series with family as the narrative center, which reflects the daily life and social changes of ordinary people in a long period since the late Qing Dynasty. In the time dimension, chronological drama is different from historical drama; In terms of theme content, the drama of the era is different from the drama of major revolutionary history and reality; In terms of the length of the plot, chronological drama is different from other short-term modern and contemporary family dramas and social dramas. This attribute of chronological drama makes it difficult to present it through drama, film and other artistic forms, thus becoming a good field of TV drama art. Compared with other types of TV dramas, chronological dramas show a wider range of social life and are closer to the lives of ordinary people, so they are widely welcomed by audiences of all ages. The genre characteristics of chronological dramas determine that they are more suitable for shooting long TV series, so the most familiar chronological dramas are generally some chronological dramas, such as Longing, Dazhaimen, Qiao Family Courtyard, Golden Wedding, Crossing the Kanto, Parents’ Love, Ordinary World and Bailuyuan.

In the last three or four years, no matter in TV dramas or online dramas, it’s hard to find a drama of the era with such a heavy feeling and wide influence as the above works. In this context, the emergence of "In the World" has an extraordinary significance. This TV series adapted from Liang Xiaosheng’s novel of the same name, which won the Mao Dun Literature Prize, is centered on a family named Zhou in Guangzi District, Jichun City, the capital of Jiangliao Province in Northeast China. Around the love, marriage, family and career of Zhou’s three brothers and sisters, it describes the living conditions of ordinary citizens and the evolution of China society for nearly half a century from the end of the 1960s to 2016. It can be called "showing morality and responsibility in the fireworks on earth and expressing feelings and aspirations in the joys and sorrows".

Judging from the series that have been broadcast, In the World can be regarded as a rare high-quality drama in recent years. With simple realism, in the slow rhythm of narration, the play truly presents the trivial daily life, describes the love and affection of family members in detail, vividly depicts the group images of people with different personalities, profoundly shows the human world in social change, and vividly presents a picture scroll of the times with great tolerance and depth to the audience. For the low-level little people represented by Zhou Bingkun and Zheng Juan, the author poured deeper feelings, their enthusiasm and kindness, their selflessness and thoughtfulness, their grievances and forbearance, their fragility and helplessness, their optimism and open-mindedness, and their tenacity and persistence, which fully reflected the living situation, thoughts and feelings of the small people in the great era and the excellent moral character accumulated by the Chinese nation for thousands of years. From them, we feel the heat of life and realize the beauty of human nature. At the same time, the fate of these little people reflects the turbulent situation of the great era. In the process of recalling the common memory of several generations, let us raise the life history of the people to the dimension of national history to observe and think, so as to achieve individual identity confirmation and collective cognition of ethnic groups on a newer level.

Excellent chronological dramas put the trivial personal and family narratives full of fireworks in the grand national historical context, so they often have richer social, political, historical, cultural and ethical connotations than other types of TV dramas, which not only have high aesthetic value, but also have important cognitive and educational significance, and play an irreplaceable and unique role in the whole literary ecology and spiritual civilization construction. Today, when high-quality chronological dramas are scarce, we should praise the elaborate work "In the World", and hope that more chronological dramas with emotional temperature and ideological depth can appear on the screen. (Author: Tian Guang, Associate Professor, Institute of Drama, Film and Television Literature, College of Literature, Lanzhou University)

In the autumn of 2018, I went to Wudaokou Store of Douban Bookstore. At that time, I was worried about the paper on Fitzgerald, hoping to go to this bookstore and buy some old books for reference. So I bought a book "American Literature in the Twentieth Century" by W.Thorp, which is an introductory work and introduces the situation of American literature in the first 60 years of the twentieth century. Among them, Fitzgerald and The Great Gatsby are mentioned in the fourth chapter "Social Status and Rank in Novels (1920-1950)".

Thorpe said: "F Scott Key Fitzgerald is undoubtedly a misunderstood one. He is called "the historian of jazz age", which really underestimates him as a novelist who knows the American rich class better than any other writer. Understanding the wealthy American class is his specialty, and the training he received in order to display this specialty finally caused his personal life to collapse. " Then, he commented on The Great Gatsby: "As a young man, Fitzgerald knows what the rich have (because that’s what he wants): everything money can buy-things, parties and absurdity. It is this sparkling and imaginary world that Jay Gatsby wants to get into. " Thorpe’s discussion of The Great Gatsby ends here. In the voluminous text in the fourth chapter, there is only half a page about Fitzgerald. Thorpe focuses on writers such as Dreiser, Lewis, Farrell and pazos. Even in the chapter about the lost generation, his ink points are concentrated on Hemingway, Wolff, Faulkner and pazos, not Fitzgerald.

Twentieth Century American Literature

American Literature in the Twentieth Century was published in January, 1960. Thorpe’s opinion was an authoritative opinion in the American literary world at that time. Although Fitzgerald was a craze in the United States in the 1950s, Fitzgerald was still underestimated in the early 1960s, far from today’s prestige. The discussion about The Great Gatsby in the society is also limited to the discussion about love, money, the jazz age alluded by the novel and the author himself.

The Great Gatsby is Fitzgerald’s most important novel. Without it, Fitzgerald would not have today’s position in the history of literature. In the 1920s, despite the bleak sales, The Great Gatsby was still appreciated by mainstream critics after its publication. Hemingway, T·S· Eliot, Cabel, john galsworthy and others are among the commenders. Eliot said, "In fact, in my opinion, it is the first step taken by American novels since Henry James."

Eliot praised the novel, and it was proved that his vision was correct. In the late 1950s and early 1960s, critics represented by Arthur Mizner and James E·Miller, Jr. revisited The Great Gatsby. Arthur Mizler said in his biography about Fitzgerald: "He (Fitzgerald) always writes about himself and people and things familiar around him, so his works are inseparable from his life." James e miller, Jr. thinks: "the impersonal visual presentation in the great Gatsby is not only Fitzgerald’s impressive success, but also a milestone in American novels." Such an evaluation seems unremarkable today, but it was amazing at that time. The critic Charles E. Shain is also a fan of Fitzgerald, who published Seven Modern American Novelists in 1959 (Seven Modern American Novelists), he specially listed a chapter to evaluate Fitzgerald, thinking that "he (Fitzgerald) himself deeply felt an urgent need for the romantic spirit-an Englishman called it the American’s’ thirst for myth’-and he understood that modern people need to’ create a logical past with a large-scale present’."

Fitzgerald

In addition, during the decade from 1958 to 1968, a special Fitzgerald issue was published every year. After 30 years, with the cloud of the Cold War, the frustration of the war, the rise of the beat generation, the fierce May storm and a new round of worries about American society, The Great Gatsby became a popular reading at that time. Fitzgerald, a marginal writer, returned to the center of the tide again, and his novels were re-judged, and his status rose. Up to now, Fitzgerald has become a well-deserved classic writer in the United States, and The Great Gatsby has become a must in American literature.

The Great Gatsby has become a classic in the United States, but it is restricted by the "ultra-left" political atmosphere and class struggle. Nearly 30 years after liberation, there is no Chinese translation of The Great Gatsby in China. In the early 1950s, Wu Ningkun unwittingly lent the English version of The Great Gatsby, which he brought back to China from the United States, to individual students, and was thus branded as a "decadent new China youth". In 1979, A Compendium of American General History edited by scholar Huang Shaoxiang criticized The Great Gatsby as a novel that "touted this secret wine dealer and speculator as a hero and celebrated it", while Fitzgerald himself was rated as "a typical representative of literary and artistic writers who monopolized capital for imperial use in the 1920s, and a trumpeter who beautified the criminal activities of big capitalists in the’ prosperity’ period of the United States". The Great Gatsby has long been regarded as a "bourgeois poisonous weed", and few scholars dare to touch it, let alone "beat drums to express their grievances" for it. Therefore, scholar Dong Hengxun later sighed with emotion: "Only Fitzgerald, who is very famous in the United States, was introduced in China at the latest, and there are few commentary articles."

Biography of the tycoon

With the advancement of reform and opening up, the misunderstanding of The Great Gatsby was gradually clarified, and the Chinese translation of this book finally increased. The first Chinese translation of The Great Gatsby was Biography of the Tycoon, which was translated and annotated by American scholar Qiao Zhigao in Hong Kong in 1974. In 1982, Zhou Dunren annotated "The Great Gatsby", which was translated as "Lights and Green Dreams" and published by Shanghai Translation Publishing House. In 1983, Wu Ningkun translated Selected Fictions of Fitzgerald and included The Great Gatsby. In the same year, Gatsby the Great Man translated by Fan Yue was published by Liaoning People’s Publishing House. Since then, translations of Yao Naiqiang and Liu Feng have also appeared, and the translated title of the novel has gradually been unified as The Great Gatsby.

When Qiao Zhigao translated The Great Gatsby, he noticed the mapping of the novel to the American social crisis, and thought that the novel was a love story on the surface, but it was actually an disillusioned American dream. The brief introduction of the Biography of the Tycoon wrote: "A poor boy from Minnesota (Gatsby) devoted himself to pursuing the’ American Dream’ of drunkenness, but in the end he was trapped in tragedy and was left out by the upper class." Since then, the analysis of the relationship between novels and the American dream has become the main direction of the study of The Great Gatsby in China, and various angles have emerged one after another. The earliest article that cut into this angle can be traced back to 1985, when Li Xijian published the article "Disillusionment of the American Dream —— Comment on Fitzgerald’s The Great Gatsby" in Foreign Literature Studies, pointing out that Gatsby’s tragedy is a microcosm of the American youth’s desire for the American dream. However, some people hold different views. For example, scholars Chen Yuanyuan and Chen Dingbin think that Gatsby’s dream is different from the ideal American dream. Gatsby’s dream is not a real American dream, but a deteriorated American dream.

The Great Gatsby published in 2018

Zhang Dachun, a Taiwan Province writer, has a unique approach to Gatsby and the American dream. In Rereading Qiao Zhigao’s Translation of the Biography of the Tycoon, he quoted Mathew Arnold’s famous saying, "What kind of life is a moral concept in itself." It is believed that Fitzgerald has an impulse to fall in love with tragedy. "Fitzgerald will never forget his own tragedy-without this paranoia of’ falling in love with his own tragedy’, Fitzgerald may never enter the core of the American dream, and reveal that this dream is gorgeous, barren, eager and withered on moral issues." [Fitzgerald, Fitzgerald, the same below. The Great Gatsby is the author’s own attempt to reach the core of the American dream. Gatsby is the carrier of the new American dream that rose after World War I, and is a new youth representative accompanied by the industrial miracle, the rise of the new urban class and the new social trend of thought. Zhang Dachun believes that the greatness of this image lies in the fact that "this master with both hooliganism and heroic temperament has embraced a child’s dream of pursuing progress in his short life. And when this dream is put into practice in life, it turns to another dream (a purely self-projecting love yearning) and loses everything in order to protect what you love (although it is not worth it), but it does not matter. In other words: there is no moral flaw in the eager pursuit of dreams (even if it is vulgar fame and wealth or illusory love and hatred), and it is really an Arnold-style moral proposition-‘How to live?’ "

After the reform and opening-up, the translation craze of The Great Gatsby has set off an upsurge of Fitzgerald research in China, and the academic views on him have broadened from "the chronicler of the jazz age" and "the critic of the American dream" to more dimensions. Among them, A Brief History of American Literature, compiled by Dong Hengxun, Zhu Hong, Shi Xianrong and Li Wenjun in 1978, was a pioneering work, and he briefly introduced The Great Gatsby. In the book, Dong Hengxun thinks: The Great Gatsby is Fitzgerald’s best work both in thought and art. Lin Yiliang agrees with Dong Hengxun, and thinks that "The Great Gatsby is talked about, praised and praised as often as any American novel in the 20th century". Since then, the study of The Great Gatsby has stepped out of the literary view of class struggle, and the views of domestic academic circles on this novel have gradually integrated with the world.

As if weeds were lit by flames, scholars’ enthusiasm for studying this novel rose. Only in the 1980s, there were books or papers about The Great Gatsby, such as On Modern American Novelists, Selected Readings of American Literature, On Fitzgerald’s Novel Creation and Fitzgerald’s Novel Art, and the authors all spoke highly of this novel. From 1979 to 1989, in just ten years, domestic views on The Great Gatsby were reversed.

Stills of the movie The Great Gatsby

After the 1990s, the research on The Great Gatsby has been increasing. According to statistics, from 1990 to 2000, there were nearly 60 papers on The Great Gatsby, which discussed the Great Gatsby from the perspectives of American dream, romanticism, social change, religious thought, class struggle, consumer culture, symbolic metaphor and creative skills. The study of Fitzgerald, published by Wu Jianguo in 2002, marked the maturity of the domestic study of The Great Gatsby.

This is a relatively comprehensive work, including the author’s research achievements in the past 20 years, and also deeply involved in The Great Gatsby. This book consists of eight chapters, covering all aspects of Fitzgerald. The fourth chapter interprets the Great Gatsby from the perspectives of social reflection, author’s thoughts, novel skills and text metaphor, which is a general summary of Wu Jianguo’s views on The Great Gatsby. Wu Jianguo noticed Conrad’s influence on Fitzgerald, as well as the novel’s unique narrative technique and the role played by Nick. Unfortunately, The Study of Fitzgerald failed to dig deep into The Great Gatsby from the perspectives of religion, race, feminism and romantic tradition, and did not combine the negative criticism of the novel to study the "source" of the differences in criticism, which was still lacking in depth.

At the turn of the century, the first draft of The Great Gatsby, edited by James ·L·W· West, was published, and the trend of studying The Great Gatsby was once again set off by critics. At that time, the study of The Great Gatsby in China also made considerable progress. In addition to the study of Fitzgerald by Wu Jianguo, from the social and cultural point of view, in 1997, the article Car Metaphor in The Great Gatsby by Chen Fachun found a new way and broadened the thinking of studying novels. In 1999, Fang Jie published the article "On the Cultural Myth Model of The Great Gatsby" in Foreign Literature. He thought: "The interpretation of The Great Gatsby should be carried out in the great cultural context of American history. Gatsby’s story is not only the reappearance of jazz life, but also the expression of American national romanticism."

If we want to have a macro view of novel research, we may wish to refer to Matthew.J.Bruccoli’s A New Theory of The Great Gatsby, which has five expositions besides the introduction. The first one traces the revival process of the text dissemination of The Great Gatsby. The second part puts this issue in the background of a long struggle for the status of "great American novel"; The third and fourth articles respectively examine the themes of love and money, order and fantasy in the novel; The last article discusses the unique style of the novel.

The original English version of The Great Gatsby

After the new millennium, it is also worth mentioning the paper "Gatsby by Carraway". Author Cheng Wei started from the first draft of The Great Gatsby to the writing process, and judged the character Marianne frist (from A Lost Woman) written by the female writer Willa Cather (A Lost Lady)) influenced the shaping of Daisy, and at the same time, he quoted Bloom as saying that "there is a Keats living in the depths of Gatsby". The article deeply analyzes the romanticism and class cracks in The Great Gatsby and points out that there is always a negative ghost in Nick’s narrative. Keats defined "negative ability" as "the ability to be in a state of uncertainty, mystery and doubt", and Nick was the recipient of this negative ability, which is also an important reason for his appreciation of Gatsby, because Gatsby has a clear consistency that I have never found in others before and probably will not find in the future: every step of his life is on the long road to "the green light".

Constrained by traditional research thinking, many scholars used to sort out the research texts of The Great Gatsby, which were often limited to monographs and papers. In fact, many book reviews and essays on the Internet also contained original opinions on The Great Gatsby, except the above-mentioned Rereading Qiao Zhigao’s Translation of The Biography of the Tycoon, and the non-fiction article Destroying Fitzgerald’s Woman written by writer Shen Danqi, which was interconnected by an author and works. Daisy, who comes from the southern United States and is fascinated by Gatsby, has the shadow of Zeldia and Ginevra King, and Shen Danqi thinks that the color of Geneva is even stronger (these two women are very important in Fitzgerald’s life, Zeldia is Fitzgerald’s wife, and Geneva is Fitzgerald’s first love). ）。 After reading a lot of original materials from Princeton University and the surrounding libraries, she wrote: "(Fitzgerald) He started to write short stories, and the first one was called’ The Perfect Hour’ and sent it to Vanessa to amuse her. A month later, Vaneva replied with a story of her own, also called’ Perfect Hour’, about the heroine who married into a rich family but had an unhappy marriage and met her old lover again a few years later. The heroine’s name is Vaneva King, and the old lover’s name is Scott Fitzgerald. Even in love, she is alert to know that he is not worthy of her. I’m afraid he knows, so he wrote a story about his love for Neva out of self-mockery.He rewrote this story many times in his life, and the last time was The Great Gatsby ten years later. The heroine’s name was Daisy Fay, and the old lover’s name was Jay Gatsby. "

Zeldia

Liang Wendao, another writer, focuses on Gatsby himself. He pointed out in the manuscript of Arabian Nights that Gatsby is the representative of American "Self-made man". What is "Self-made man"? Simply put, it is a person who relies on self-achievement. "He didn’t get his wealth by inheritance. He didn’t rely on his birth class background. What did he rely on? He is a person, working hard, and of course, he has to emphasize that he is an honest and moral person, climbing all the way, and then finally making a fortune and finally succeeding. Then this kind of person is particularly popular in the United States, and everyone admires it. It is a typical representative of the American dream. "

Today, The Great Gatsby has become an immortal memory of the jazz age. Fitzgerald’s luck is that he has grasped a kind of youth emotion, which is behind a certain spirit of the United States. It was originally only a specific product of the transformation of American society and an instinctive reaction of writers to the environment (Fitzgerald knows about the rich, new women and bottom-class youth in the United States at the same time). However, with the development of globalization, American cities have been replicated in different parts of the world, and this emotion is not limited to the United States in the jazz age, but has become a part of the wave of globalization. Gatsby’s "eagerness", Nick’s "alienation" and the "sense of collapse" after the dim green light in the novel have become the common emotions of young people in different countries, constantly beating the rapids and waves on the coast. Fitzgerald not only influenced American writers such as Raymond Thornton Chandler and Gay Talese, but also became the "spiritual godfather" of American-influenced writers such as Haruki Murakami. Novels such as Assassination of Knight Leader and Burning Barn have awakened Gatsby’s ghost again and again, and confirmed the situation of Gatsby and Nick, which is still out of date today. The Great Gatsby’s all-round and accurate description of the struggling youth, with the global copy of the new york model (the third world is full of poor imitations of new york), has become the deep resonance of the young people at the bottom. So many years later, "we struggled forward and sailed against the current" and were still "pushed back to the past by the tide".

　　Attention, Hebei people!

　　It is estimated that tomorrow night to the 9th.

　　Our province will experience another precipitation process.

　　There are showers or thunderstorms in the province.

　　There is moderate to heavy rain in some areas.

　　There is a local rainstorm.

　　↓↓↓

　　Tomorrow night to the 9th.

　　Hebei welcomes rain again

　　Today and tomorrow, most areas in Hebei are mainly sunny, and thunderstorms are just embellishments; It is expected that from tomorrow night to the 9th, our province will experience another precipitation process, with showers or thunderstorms in the whole province, moderate to heavy rain in some areas, local heavy rain and strong convective weather.

　　Please continue to pay attention to the latest forecast and early warning information and strengthen prevention.

　　Specific forecast

　　Hebei Meteorological Observatory issued the weather forecast at 11: 00 on September 6, 2023:

　　From this afternoon to the night, the whole province is sunny and cloudy.

　　Tomorrow during the day, the northwest of Zhangjiakou will turn cloudy with scattered showers or thunderstorms, and other areas will turn sunny to cloudy. There are 5 to 6 southwest winds and 7 to 8 gusts in Bashang area.

　　From tomorrow night to the 8th, there will be cloudy showers or thunderstorms in the areas north of Baoding and Langfang, including moderate to heavy rain in Zhangjiakou and northern Chengde, and heavy rain in some places. The precipitation is accompanied by strong convective weather such as short-term heavy precipitation and short-term strong wind, and other areas are cloudy.

　　From the night of the 8th to the 9th, there were showers or thunderstorms in most parts of the province, with moderate to heavy rain in the central and southern areas and heavy rain in the local area. The precipitation was accompanied by strong convective weather such as short-term heavy precipitation and short-term strong wind.

　　Next three days

　　The heat sensation is obvious during the daytime.

　　Today, during the daytime, most areas of our province will be shrouded in heat. It is estimated that the highest temperature in the province will be 30 C and above, and the highest temperatures in Chengde, Langfang and Hengshui will be around 34 C.

　　The temperature of tomorrow and the day after tomorrow is basically the same pattern, so we should pay attention to heatstroke prevention at noon.

　　(Langfang temperature trend source Central Meteorological Observatory)

　　However, after all, it is going to be the Millennium season soon. The heat is only temporary, and the coolness is the correct way to open this season. It is expected that the temperature will drop on the 9th. Take Baoding as an example, the highest temperature will be around 32℃ from the 6th to the 8th, and it will plummet to 25℃ on the 9th.

　　Cold air will bring rain while cooling down. At the turn of summer and autumn, there will be a rain and a cold. Please pay attention to the weather and temperature changes at any time.

　　(Baoding temperature trend source Central Meteorological Observatory)

　　Forecast of major cities in Hebei

　　Great Wall Network synthesizes the weather in Hebei.